The Best Nikon D850 DSLR Camera

The Specification of the Nikon D850 Camera

The detailed specifications of the Nikon DSLR D850 camera are below

Nikon D850 Specification
Body Type
Body type	Mid-size SLR
Sensor
Maximum Resolution	8256 x 5504
Image ratio w:h	1:1, 5:4, 3:2, 16:9
Effective pixels	46.00 megapixels
Sensor photodetectors	47.00 megapixels
Sensor size	Full frame (35.9 x 23.9 mm)
Sensor type	BSI-CMOS
Processor	Expeed 5
Image
ISO	102400
White balance presets	14
Custom white balance	Yes (6 slots)
Image stabilization	No
Uncompressed format	RAW + TIFF
JPEG quality levels	Fine, normal, basic
Optics & Focus
Autofocus	·        Contrast Detect (sensor) ·        Phase Detect ·        Multi-area ·        Center ·        Selective single-point ·        Tracking ·        Single ·        Continuous ·        Touch ·        Face Detection ·        Live View
Manual focus	Yes
Number of focus points	151
Lens mount	Nikon F
Focal length multiplier	1×
Screen/viewfinder
Articulated LCD	Tilting
Screen size	3.2"
Screen dots	2359000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Optical (pentaprism)
Viewfinder coverage	100%
Viewfinder magnification	0.75×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/8000 sec
Aperture priority	Yes
Shutter priority	Yes
Manual exposure mode	Yes
Subject/scene modes	No
Built-in flash	No
External flash	Yes (via hot shoe or flash sync port)
Flash modes	Front-curtain sync (normal), Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync,
Continuous drive	9.0 fps
Self-timer	Yes (2, 5, 10, 20 secs)
Metering modes	·        Multi ·        Center-weighted ·        Highlight-weighted ·        Spot
Exposure compensation	±5 (at 1/3 EV, 1/2 EV, 1 EV steps)
AE Bracketing	±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing	Yes (2-9 exposures in 1, 2, or 3EV increments)
Videography features
Format	·        3840 x 2160 @ 30p, MOV, H.264, Linear PCM ·        3840 x 2160 @ 25p, MOV, H.264, Linear PCM ·        3840 x 2160 @ 24p, MOV, H.264, Linear PCM ·        1920 x 1080 @ 120p, MOV, H.264, Linear PCM ·        1920 x 1080 @ 60p, MOV, H.264, Linear PCM ·        1920 x 1080 @ 50p, MOV, H.264, Linear PCM ·        1920 x 1080 @ 30p, MOV, H.264, Linear PCM ·        1920 x 1080 @ 25p, MOV, H.264, Linear PCM ·        1920 x 1080 @ 24p, MOV, H.264, Linear PCM ·        1280 x 720 @ 60p, MOV, H.264, Linear PCM ·        1280 x 720 @ 50p, MOV, H.264, Linear PCM
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC (UHS-II supported) + XQD
Connectivity
USB	USB 3.0 (5 GBit/sec)
HDMI	Yes
Wireless	802.11b/g + NFC + Bluetooth 4.1 LE
Remote control	Yes (wired, wireless, smartphone)
Physical
Environmentally sealed	Yes
Battery	Battery Pack
Battery description	EN-EL15a lithium-ion battery & charger
Battery life	1840
Weight (inc. batteries)	1005g
Dimensions	146 x 124 x 79 mm (5.75 x 4.88 x 3.11″)
Other Features
Orientation sensor	Yes
Timelapse recording	Yes (4K or 8K movies)
GPS	None

What are People Saying about the Nikon DSLR D850 camera?

Mr Aleksandar Ratkovic said -

Adobe package has its shortcomings, but more in compatibility and performance department. To claim there is nothing useful included to justify the price, is, well, a little silly, in the absence of a better expression (to say simple "wrong" - is not enough).

Maybe You don't know about new stuff, or didn't care to learn?

Also, why everybody is complaining about the price? 50-70$ per month, for the COMPLETE package to do ANY visual creative work at a PROFESSIONAL level (or near-professional in some areas), is, like, cheap, man! You pay that off with one design job, even here, in a third-world country with 500€ average salary (inflated, the true average is 350€)

Anyway, Adobe is declining in good reputation with me too, for a few reasons, that has much to do with some sloppiness, also a little elitist attitude and discrimination of country where I live (I can not buy Adobe cc regularly, and I have chat transcript with Adobe official in which I claim that I must use pirated software since they don't want my money, just in case :) )

But, they DO make PROGRESS, since cs4, LEAPS of progress, even!

Mr. Jon Hillenbrand  

I just tested this on my D850, Live View (Movie), DX sensor crop, 16:9 .nef. I can NOT duplicate this problem with my D850. I also did the same test with my D800 and had NO problems importing or viewing the files. I also tried this with a D4S and didn't have any issues importing or viewing the files.

Looks like this must be limited to only certain serial numbers or certain versions of LR. I'm using LR version 8.2.1 on a PC. Camera Raw version 11.2.1.

Also, there's a lot of hate on here regarding LR vs. Capture One. I honestly only have negligible problems with LR like a recurring bug where when I hit Ctrl Shift S, it sometimes exports files or it will "Paste" settings. The workaround is to restart LR, which only takes a minute. This happens about once a week.

Other than that, I really enjoy the flexibility and organization LR gives me. I really like the interface and that you can customize what modules are visible, solo mode, etc. I have a very efficient workflow using it. 

There are a few things I wish it could do, but that's just nitpicking. Overall, this is the very best post-production tool I could have asked for. I've never used Capture One in my workflow, but I tried the demo last year and wasn't blown away. 

LR is constantly being updated which means you have to keep your computer updated also, which can be a challenge in a corporate environment. But making the case has never been difficult. Maybe I would feel different if I were paying for CC myself instead of having my company foot that monthly bill.

If you're shooting video and you are in DX crop mode, then stop recording to shoot a photo of something you like without switching back to photo mode, that's the situation. Seems oddly specific, but I've been in that situation before. 

I rarely shoot in DX crop mode, but I do from time to time to break up a video shoot. And I must say that I do really like the 16x9 crop mode that you get in video live view. I know you can crop 16x9 in the post, but getting that cropping in-camera helps visualization.

From a programming perspective, I wonder if it has to do with LR looking at the metadata and seeing that it's video mode, not photo mode, and 16x9, not 4x3, and DX mode on an FX body, yet still a NEF, not a video file. 

If LR is using metadata to sort programming presets or categories when processing the image and creating the predicted look of a Nikon body, I could see this being a problem. 

It's just a situation the programmers never anticipated. It would be interesting to know that they are predicting Nikon's look based on the metadata situation, not necessarily on the camera body. I wonder if this happens with other bodies that can shoot DX photos in video live view.