Know before Travelling England

What do I need to know before travelling to England?

Know the following notes before traveling to England:

They do not accept euros or dollars. Everything is in pounds (pounds). So don't forget to change your euros to pounds at the airport or at an exchange office. Another option is to use the VISA credit cards of your country (do not forget to notify your bank in advance that you will use it in the UK for such days).

Accommodation: I recommend you book a room through Airbnb, the sooner the better, because hotels are very expensive. The UK is famous because its accommodations are not cheap.

HDR Photography by Phone or Camera

High Dynamic Range or HDR photography techniques for beginners photographer

Digital cameras have improved a lot, are constantly evolving and people are satisfied with digital photography. Even then, the reality is that what people see with their eyes is not exactly what is seen in the picture. Because different stages of light and darkness cannot be recorded in pictures. There are issues at a distance as well. At the same time, there is a limit to the ability to accurately represent near and far objects. If one side is given priority, the other side has to be neglected. The best system is High Dynamic Range (HDR).

Naturally, the question may arise, what is the issue of dynamic range?

There is no exact answer. The camera maker never says what the dynamic range of the camera is. In other words, it is not measured how far the difference between light and shadow will be recorded. So, in fact, there is no definition of it. The idea is simply that each camera can capture a certain amount of light and shadow. This is the dynamic range. So when it is called high dynamic range then it means to increase this value further.

In other words, proper exposure is required for a good photo. HDR records several times more information than is normally recorded with proper exposure. Uses separate exposures for near and far objects at the same time. The resulting picture is clear.

How do you get HDR photographs?

You can get it in two ways. You will get the best results by taking pictures with special rules while taking pictures. After taking pictures, you can use HDR using Photoshop or Lightroom. This software can specifically change the light or shadow part in addition to minimizing the light. So check out the Photoshop tutorial on this site.

HDR Photography Secret Tips

Learn how to take HDR pictures using the camera. As mentioned earlier, good HDR photography works well outdoors. Time to pick up the landscape.

1. Place the camera on the tripod.

2. Go to manual mode. Specify the aperture.

3. Focus and take at least 5 pictures in different settings by changing the exposure control. The difference in images is only in exposure, not in anything else.

4. Put the images together using HDR software. In addition to Photoshop, Lightroom, there is a lot of software that can do this.

It seems that work is quite difficult. But if you want to get high-quality pictures, you have to do extra work.

Different people may have different hobbies, one of which is photography. Photography is not just a hobby but a profession nowadays. Many people think that you can't be a good photographer without a good DSLR camera, but this idea is wrong because if you have a beautiful pen, you will not write well. 

If you want to be a good photographer, first of all, you need a beautiful outlook. Remember, you can't become a photographer just by wearing a DSLR around your neck. Maybe you don't have a DSLR? You have a hobby mobile. Having a DSLR is not necessary for beautiful photography. 

If you have a beautiful outlook, you can take a lot of beautiful pictures with your mobile and put them on the shelf. If you want to take good pictures with a mobile, follow some tips. Maybe one day you too can become a country-renowned photographer.

HDR Photography tips for Phone or Camera

1. The main subject of photography is light, so you have to first notice from which direction the light is coming, you have to notice that the light comes from the opposite side of the subject, then the subject will be clear. If there is a light source behind the subject then the subject will not come clear and the background will burn.

2. If you shake hands while taking pictures, the quality of the picture will be bad. So if you shake hands while taking pictures, use a tripod or something else if necessary to provide support.

3. Give importance to the background while taking pictures. If the background is not light, your subject may lose its dignity.

4. It is better not to use zoom when taking pictures.

5. Try to take pictures as close as possible.

6. Try to take pictures from different angles.

7. Make sure that there is no dirt on the lens of your mobile, if there is dirt, the picture will be blurred.

8. Always make sure the focus is on your main subject.

9. Take pictures in as high a resolution as possible. Do not be stingy with the size of the picture.

10. Take lots of pictures to get your hands dirty.

11. A little editing can be done to make the picture more beautiful after taking it, but more editing can make the picture worse.

It is the responsibility of photographers who are unfamiliar with street photography. Even then, if you don't know about street photography, let's find out in the light of the report of the photosite Petapixel, what is the point?

1000 Years of Photography History

1000 YEARS AGO   In 1021 

Arab scientist Alhazen defined the basic nature of light and optics scientifically in his seven-volume Book of Optics -- considered the most important book on the subject for the next 600 years.   

Alhazen was the first to use experimental methods and logical reasoning to define the essential aspects of light: that it emanated from an outside light source, that light travelled in rays, and that the rays travelled in straight lines. 

Although not the first to use a camera obscura, he was the first to describe how to construct one; in addition, he described how to magnify an object with a lens and to make a sharper projected image with a pinhole by reducing the size of the pinhole.

THE DISCOVERY OF THE CAMERA   

According to legend, the discovery of the camera may have begun thousands of years ago with desert nomads who saw scenes outside their tents projected upside down on the back wall when a tiny hole in their dark tent let in light during the bright day. 

This phenomenon was known even to the ancient Greeks, such as Aristotle, and others.

History Time Line of Photography

ancient times: Camera Obscura used to form images on walls in darkened rooms; image formation via a pinhole; 

16th century: Brightness and clarity of camera obscuras improved by enlarging the hole inserting a telescope lens; 

17th century: Camera obscuras in frequent use by artists and made portable in the form of sedan chairs; 

1727: Professor J. Schulze mixes chalk, nitric acid, and silver in a flask; notices darkening on side of the flask exposed to sunlight. Accidental creation of the first photo-sensitive compound; 

1800: Thomas Wedgwood makes "sun pictures" by placing opaque objects on leather treated with silver nitrate; resulting images deteriorated rapidly, however, if displayed under light stronger than from candles. 

1816: Nicéphore Niépce combines the camera obscura with photosensitive paper

1826: Niépce creates a permanent image 

1834: Henry Fox Talbot creates permanent (negative) images using paper soaked in silver chloride and fixed with a salt solution. Talbot created positive images by contact printing onto another sheet of paper.

1837: Louis Daguerre creates images on silver-plated copper, coated with silver iodide and "developed" with warmed mercury; Daguerre is awarded a state pension by the French government in exchange for publication of methods and the rights by other French citizens to use the Daguerreotype process. 1841: Talbot patents his process under the name "calotype".

1851: Frederick Scott Archer, a sculptor in London, improves photographic resolution by spreading a mixture of collodion (nitrated cotton dissolved in ether and alcohol) and chemicals on sheets of glass. Wet plate collodion photography was much cheaper than daguerreotypes, the negative/positive process permitted unlimited reproductions, and the process was published but not patented. 

1853: Nadar (Felix Toumachon) opens his portrait studio in Paris 

1854: Adolphe Disderi develops carte-de-visite photography in Paris, leading to a worldwide boom in portrait studios for the next decade 

1855: Beginning of a stereoscopic era 

1855-57: Direct positive images on glass (ambrotypes) and metal (tintypes or ferrotypes) popular in the US. 

1861: Scottish physicist James Clerk-Maxwell demonstrates a colour photography system involving three black and white photographs, each taken through a red, green, or blue filter. The photos were turned into lantern slides and projected in registration with the same colour filters. This is the "colour separation" method. 

1861-65: Mathew Brady and staff (mostly staff) covers the American Civil War, exposing 7000 negatives 

1868: Ducas de Hauron publishes a book proposing a variety of methods for colour photography. 

1870: Center of the period in which the US Congress sent photographers out to the West. The most famous images were taken by William Jackson and Tim O'Sullivan. 

1871: Richard Leach Maddox, an English doctor, proposes the use of an emulsion of gelatin and silver bromide on a glass plate, the "dry plate" process. 

1877: Eadweard Muybridge, born in England as Edward Muggridge, settles "do a horse's four hooves ever leave the ground at once" bet among rich San Franciscans by time-sequenced photography of Leland Stanford's horse. 

1878: Dry plates being manufactured commercially. 1880: George Eastman, age 24, sets up Eastman Dry Plate Company in Rochester, New York. The first half-tone photograph appears in a daily newspaper, the New York Graphic. 

1888: First Kodak camera, containing a 20-foot roll of paper, enough for 100 2.5-inch diameter circular pictures. 

1889: Improved Kodak camera with a roll of film instead of paper Like 368 A SITE FOR PHOTOGRAPHERS BY PHOTOGRAPHERS SEARCH FORUMS EQUIPMENT GALLERY SHARING COMMUNITY LEARNING REVIEWS STORE BLOG SIGN IN REGISTER History of Photography Timeline - photo.net http://photo.net/history/timeline 1 of 6 8/9/2013 5:47 PM Adding Textures to Flower Photos _About this image: With this shot of a setting sun seen through a cherry blossom, I focused on the flower blossoms, relying on the fact that throwing the sun way out-of-focus made it appear much... Latest Learning Articles Creating a Long-Exposure Effect in Photoshop Writing a Wedding Story with Must-Have Photographs Placing a Flower Photo on a Background Chanel Danièle Bott New $26.49 A History of the World in 100 Object... Neil MacGregor New $28.99 Let Us Now Praise Famous Men Walker Evans, Jame... New $12.70 History and Practice of the Art of P... Henry Hunt Snellin... New Sebastiao Salgado. Genesis Lelia Wanick Salga... New $45.49 Photography and the American Civil W... Jeff L. Rosenheim New $32.30 Privacy Information 

1890: Jacob Riis publishes How the Other Half Lives, images of tenement life in New York City 

1900: Kodak Brownie box roll-film camera introduced.

How Take Care Your Lovely Camera?

Camera Care Tips for New Photographers

Photography is one of the most popular professions and hobbies in our country nowadays. The camera has come up in the hands of almost all the youth. Whether it is digital or DSLR. Beautiful pictures are taken with great care, but is the device that is at the core of the hobby or profession of photography being taken care of properly? No matter which camera you use, be it film, digital or DSLR, if you don't take proper care of the camera, like all other devices, it is likely to break down. So today's event is about the very basic aspect of taking proper care of the camera.

Some things are usually used to keep the camera safe. The camera bag is one of them. It provides external security to the camera. The camera bag protects the camera from dust, sand, water and dirt. It also protects against sudden breakage or damage.

If you bought a DSLR, you can get a lens cap camera with it. It can be used anytime and anywhere. You must use a lens cap when the camera is not taking pictures. Dust, dirt can easily sit on the camera lens so use a lens cap. You can use the lens hood if you want. However, it is usually used by professional photographers.

Use a clean, dry lens cleaning cloth to remove dust and dirt from your camera lens. Sophisticated microfiber cloth is best for cleaning lenses. This cloth can completely clean any kind of dirt, dust. Many times fingerprints, grease spots, etc. are imprinted on the lens. This cloth can clean these stains without any scratches.

So much for the external care of the camera when you use the camera regularly. But if the camera has not been used for a few days, keep the battery out of the camera. The battery will not be damaged quickly. Do not leave the camera in an unnecessarily bright light. Especially keep away from sunlight because the sun's temperature can melt the lubricating grease of the camera which can penetrate inside the camera and damage the hardware. Some parts of the camera may also be exposed to the heat of the sun. However, this does not mean that the camera needs to be stored in extra cold. Both conditions are detrimental to the camera. So store the camera in a relatively cold environment during hot weather and in a slightly warmer environment during cold weather.

If you are using a DSLR camera, you must use a strap with the camera. Many times the camera can be accidentally dropped from the hand while using. So it is important to use this strap. However, it is not necessary to use a strap if you use small, point and shot cameras.

When you use the camera, make sure that it does not come in contact with water or dust. However, if you come in contact with water or sand in any way, clean it immediately. Most cameras are not made with waterproofing. In that case, your camera may be temporarily or completely damaged by water. So keep a clean cloth with this in mind when taking pictures around water or in an environment where the camera may come in contact with water.

If you need to take pictures in the rain or around the water, you can wrap the camera in waterproof polythene. Then you can use the camera by cutting the polythene to the size of the lens and viewfinder or LCD monitor.

A lot of the time when you go to take pictures, dust can fall on the camera lens. You can use a cleaning cloth to clean the lens. However, a blower brush can be used if dirt accumulates on the inside of the lens or inside the cap of the lens where cleaning cannot be done with a cleaning cloth. The blower brush cleans areas where it is not possible to clean with a cloth. And if the camera is dirtier then it would be better to use lens cleaning liquid. You can clean the lens with a little liquid cloth to clean the lens.

These things are very important for storing any camera. But keep in mind that these are not just tips to take care of your camera. Properly covered, it will withstand plenty of adverse conditions.

Smart toothbrush in dental care

Camera added Smart toothbrush can be used in your dental care

The Profix toothbrush includes a small light and an HD camera.

Everything is getting smarter with the help of technology. As a result, the suffering of the users is decreasing. When everything from phones to TVs has changed with the touch of smart technology, why should the hand toothbrush be left behind?

Technology company Onvi has come up with the smart toothbrush from this idea. This toothbrush called 'Profix' has a camera. So while brushing your teeth, you can watch the video of the condition inside the mouth directly on your iPhone.

And if you want, you can also record a video or take a still image to show to the dentist. This was reported by the technology website Engadget.

The Profix toothbrush includes a small light and an HD camera. This camera can capture 1080 pixel video. As well as being able to take 10-megapixel stills.

As a result, this toothbrush can take a clear picture of the inside of the mouth and teeth. Users and dentists will be able to identify whether there is any dirt in the gaps of the teeth or if there is any dental problem in the gums.

This smart device comes with four interchangeable brushes. These brushes can be used instead of understanding the condition of the teeth as needed.

However, this smart toothbrush is quite expensive, 400 US dollars. Oral-B 6000 Smart Series toothbrushes are available at only half the price. The work is almost the same. However, Oral B toothbrushes cannot be changed.

Highest Performance DSLR Camera Canon EOS 5DsR

Detail Specification of Highest Performance DSLR Camera Canon EOS 5DsR 

The Canon EOS 5DS R includes an all-new 50.6 megapixel CMOS sensor, alongside double DIGIC 6 processors. The 'R' model counterbalances the counter associating channel for greatest goals (to the detriment of moiré). The self-adjust framework has an aggregate of 61 points (in a 'high thickness reticular cluster'), 41 of which are cross-type. It utilizes the equivalent 150,000-pixel RGB+IR metering framework as the EOS 7D II with a scene recognition framework. The metering framework likewise has an enemy of glint work for shooting under sodium vapour lights. The ISO extend on the camera is 100-6400, expandable to 12800. 

The 5DS R has a more unbending skeleton than the EOS 5D III so as to limit camera shake and improve flexibility. The shade is appraised to 150,000 cycles. The 5DS game is a 'Wise Viewfinder II' which has an installed straightforward LCD board that can show edited shooting outlines, synthesis networks, and an electronic dimension. It likewise sports a 3.2" LCD show with 1.04M spots and double memory card openings (CompactFlash and SD/SDHC/SDXC with UHS-I support). 

Picture takers have a decision of two harvest modes: 1.3x (30.5MP) and 1.6x (19.6MP) just as medium and little size Raws. The 5DS can shoot persistently at 5 fps. Video-wise, the 5DS backings 1080/30p account, however, needs clean HDMI yield and an earphone jack.

Short Description about Canon EOS 5DS R Digital SLR Camera w EF 24-70mm F2.8 Lens Bundle

Price	$5298.00as of May 14, 2019,
Brand	Canon
Resolution	50.6 Megapixel
Sensor Size	Full Frame
Sensor Type	CMOS
ISO	100 - 6400
Viewfinder	Optical
Display Size	3.2 inches
Shooting Speed	4.8 fps
Video Resolution	1920 x 1080
Focal Length	24 - 70 mm
35mm Equivalent	24 - 70 mm
Max Aperture	F/2.8
Optical Zoom	2.9x
Release Date	June 2015
Body Weight	32.8 ounces
Lens Weight	28.4 ounces
Weight	61.2 ounces

Detail Specification of  DSLR Camera Canon EOS 5DsR 

Specifications	Canon EOS 5Ds R
Year Introduced	2015
Megapixels	50.6
Total Pixels	53.0
Sensor Size	36.0 x 24.0mm
Pixel Dimensions	8688 x 5792
Pixel Size	4.14µm
Diffraction-Limited Aperture	f/6.7
Aspect Ratio	3:2
Sensor Cleaning	EOS Integrated Cleaning System with fluorine coated Low-Pass Filter
Lens Mount	EF (excludes EF-S lenses), TS-E, MP-E
FOVCF	1.0x
Image Processor	Dual DIGIC 6
Autofocus
Type	TTL-CT-SIR with a dedicated CMOS sensor
Points	61 Point / 41 f/4 cross-type AF points inc 5 dual cross-type at f/2.8 The number of cross-type AF points will differ depending on the lens.
Working Range	EV -2 - 18 (at 20°C & ISO100)
Modes	One-Shot AI Focus AI Servo
Point Selection	Automatic selection: 61 points AF Manual selection: Single-point AF (61, 41 cross-type only, 15 or 9 points selectable) Manual selection: Spot AF Manual selection: AF point Expansion 4 points (up, down, left, right) Manual selection: AF point Expansion surrounding 8 points Manual selection: Zone AF AF points can be selected separately for vertical and horizontal shooting
Predictive
Assist Beam	Emitted by optional dedicated Speedlite
Microadjustment	AF Menu +/- 20 steps ( wide and tele setting for Zooms) Adjust all lenses by the same amount Adjust up to 40 lenses individually Adjustments remembered for lens by serial number
Exposure Control
Metering Modes	150,000-pixel RGB+IR metering sensor EOS iSA System with 252-zone metering: (1) Evaluative metering (linked to All AF points) (2) Partial metering (approx. 6.1% of viewfinder at centre) (3) Spot metering (approx. 1.3% viewfinder at centre) * AF point-linked spot metering not provided (4) Centre-weighted average metering
Metering Range	EV 1 – 20 (at 23°C with 50mm f/1.4 lens ISO100)
Exposure Comp	+/-5 EV in 1/3 or 1/2 stop increments (can be combined with AEB).
AEB	2, 3, 5 or 7 Shots +/-3 EV 1/3 or 1/2 stop increments
ISO Sensitivity	Auto (100-6400), 100-6400 (in 1/3-stop or whole stop increments) ISO can be expanded to L: 50, H1: 12800
Shutter Speed	30 - 1/8000 sec (1/2 or 1/3 stop increments) + Bulb (Shutter speed range available varies according to shooting mode)
WB Settings	AWB (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten, White Fluorescent light, Flash, Custom, Color Temperature Setting. White balance compensation: 1. Blue/Amber +/-9 2. Magenta/ Green +/-9.
Custom WB	Yes, 1 setting can be registered
WB Bracketing	+/-3 levels in single-level increments 3 bracketed images per shutter release. Selectable Blue/Amber bias or Magenta/ Green bias.
Viewfinder
Type	Pentaprism
Coverage	Approx. 100%
Magnification	Approx. 0.71x
Eyepoint	Approx. 21mm
Diopter Correction	-3 to +1 m-1 (diopter)
Focusing Screen	Fixed (Transmissive LCD screen)
Mirror	Motor-Driven Quick-return half mirror (Transmission: reflection ratio of 40:60, no mirror cut-off with EF600mm f/4 or shorter)
Information	AF information: Single/Spot AF points, AF Frame, AF status, Focus indicator, AF mode, AF point selection, AF point registration Exposure information: Shutter speed, aperture value, ISO speed (always displayed), AE lock, exposure level/compensation, flash metering, spot metering circle, exposure warning, AEB, metering mode, shooting mode Flash information: Flash ready, high-speed sync, FE lock, flash exposure compensation, red-eye reduction light. Image information: Card information, maximum burst (2 digit display), Highlight tone priority (D+). Composition information: Grid, Electronic level Other information: Battery check, Warning symbol, Flicker Detection, drive mode, white balance, JPEG/RAW indicator
DOF Preview	Yes, with the Depth of Field preview button.
Eyepiece Shutter	On strap
LCD
Type	3.2" (8.11cm) Clear View II TFT, approx. 1040K dots
Coverage	Approx. 100%
Viewing Angle	Approx. 170°
Coating	Anti-reflection and Solid Structure
Brightness Adj	Adjustable to one of seven levels
Display Options	(1) Quick Control Screen (2) Camera settings (3) Dual Axis Electronic Level
Flash
Built-in GN	N/A (ISO 100, meters)
Built-in Coverage	N/A
Built-in Recycle Time	N/A
Modes	E-TTL II Auto Flash, Metered Manual
X-Sync	1/200sec (EX-series Speedlites only)
Exposure Compensation	+/- 3EV in 1/2 or 1/3 increments
Exposure Bracketing	Yes, with compatible External Flash
Exposure Lock	Yes
2nd Curtain Sync	Yes
Hot Shoe/PC Terminal	Yes / Yes
External Flash Comp	E-TTL II with EX-series Speedlites, wireless multi-flash support
External Flash Control	Via camera menu
Shooting
Shooting Modes	Auto+, Program AE, Shutter-priority AE, Aperture-priority AE, Manual (Stills and Movie), Custom (x3)
Picture Styles	Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined (x3)
Colour Space	sRGB and Adobe RGB
Image Processing	Highlight Tone Priority Auto Lighting Optimizer (4 settings) Long exposure noise reduction High ISO speed noise reduction (4 settings) Auto-Correction of Lens Peripheral illumination Chromatic aberration correction Distortion correction Resize to M1, M2 or S RAW image processing - during image Playback only Multiple exposures HDR images 5 presets
Drive Modes	Single, Continuous L, Continuous H, Self-timer (2s+remote, 10s+remote), Silent single shooting, Silent continuous shooting
Continuous Shooting	Max. Approx. 5fps. (speed maintained for up to 510 number of JPEGs or 14 RAW images) with UDMA mode 7 card
Shutter Lag	59ms
Viewfinder Blackout	125ms
Live View
Type	Electronic viewfinder with image sensor
Coverage	Approx. 100% (horizontally and vertically)
FrameRate	29.97 fps
Focusing	Manual Focus (Magnify the image 6x or 16x at any point on screen) Autofocus: Quick mode, Live mode, Live Face detection mode
Metering	Real-time evaluative metering with image sensor Active metering time can be changed
Display Options	Grid overlay (x3), Histogram, Aspect ratios, Dual Axis Electronic Level
File Information
Still ImageType	JPEG: Fine, Normal (Exif 2.3 [Exif Print] compliant) / Design rule for Camera File system (2.0), RAW: RAW, sRAW1, sRAW2 (14bit, Canon original RAW 2nd edition), Digital Print Order Format [DPOF] Version 1.1 compliant
RAW+JPEG Simultaneous Rec	Yes, any combination of RAW + JPEG possible, separate formats to separate cards possible
Image Size	JPEG: Full Frame - (L) 8688x5792, (M1) 7680x5120, (M2) 5760x3840, (S1) 4320x2880, (S2) 1920x1280, (S3) 720x480 1.3x Crop - (L) 6768x4512, (M1) 6016x4000, (M2) 4512x3008, (S1) 3376x2256, (S2) 1920x1280, (S3) 720x480 1.6x Crop - (L) 5424x3616, (M1) 4800x3200, (M2) 3616x2408, (S1) 2704x1808, (S2) 1920x1280, (S3) 720x480 1:1 Crop - (L) 5792x5792, (M1) 5120x5120, (M2) 3840x3840, (S1) 2880x2880, (S2) 1280x1280, (S3) 480x480 RAW: (RAW) 8688x5792, (M-RAW) 6480x4320, (S-RAW) 4320x2880
Movie Type	MOV (Video: H.264 Intra frame / inter frame, Sound: Linear PCM)
Movie Size	1920 x 1080 (29.97, 25, 23.976 fps) intra or inter frame 1280 x 720 (59.94, 50 fps) intra or inter frame 640 x 480 (59.94, 50 fps) inter frame
Movie Length	Max duration 29min 59sec, Max single file size 4GB
Sound Files	N/A
Folders	New folders can be manually created and selected
File Numbering	(1) Consecutive numbering (2) Auto reset (3) Manual reset
Other Information
Wireless Features
GPS
Custom Functions	13 Custom Functions with 47 settings
Metadata Tag	User copyright information (can be set in camera) Image rating (0-5 stars)
LCD Panel / Illumination	Yes / Yes
Water & Dust Resistance	Yes (equal to EOS-1N)
Sound Memo	No
Orientation Sensor	Yes
Playback Zoom	1.5x - 16x
Display Formats	(1) Single image with information (2 levels) (2) Single image (3) 4 image index (4) 9 image index (5) Magnified view (6) 2 image compare display (7) Movie edit
Slide Show	Image selection: All images, by Date, by Folder, Movies, Stills, Rating Playback time: 1/2/3/5/10 or 20 seconds Repeat: On/Off
Histogram	Brightness: Yes RGB: Yes
Highlight Alert	Yes
Image Erase Protection	Erase: Single image, All images in folder, Checkmarked images, unprotected images Protection: Erase protection of one image at a time
Menu Categories	(1) Shooting menu (x4) (2) AF Menu (x5) (3) Playback menu (x3) (4) Setup menu (x4) (5) Custom Functions menu (x4) (6) My Menu
Menu Languages	25 Languages English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Interface
Computer Interface	SuperSpeed USB (USB 3.0): for computer communication and direct printing
Other Interface	HDMI Type C, External microphone (Stereo mini jack)
Canon Printer Support	Canon Compact Photo Printers and PIXMA Printers supporting PictBridge
Pict Bridge	Yes
Memory
Memory Type	CompactFlash Type I (UDMA 7 compatible), SD card, SDHC card or SDXC card (UHS-1 compatible)
Software
Browsing & Printing Software	ImageBrowser EX
Image Processing Software	Digital Photo Professional
Other Software	PhotoStitch, EOS Utility (inc. Remote Capture, WFT utility*), Picture Style Editor * Requires optional accessory
Batteries & Power
Battery	Rechargeable Li-ion Battery LP-E6N (supplied), 1x CR1616 for date & settings
Battery Life	Approx. 700 (73°F/ 23°C) 660 (32°F/ 0°C)
Battery Indicator	6 levels + percentage
Power Saving	Power turns off after 1, 2, 4, 8, 15 or 30mins.
Power Supply Battery Chargers	AC Adapter Kit ACK-E6, Battery charger LC-E6, Car Battery charger CBC-E6
Physical Specs
Body Materials	Magnesium Alloy body covers
Shutter Durability Rating	150,000
Operating Environment	0 – 40 °C, 85% or less humidity
Dimensions Inches	6.0 x 4.6 x 3.0" (152 x 116.4 x 76.4mm)
CIPA Weight	32.8 oz (930g)
Accessories
Viewfinder	Eyecup Eg, Eg-series Dioptric Adjustment Lens with Rubber Frame Eg, Anti Fog Eyepiece Eg, Angle Finder C
Camera Case
Wireless File Transmitter	Wireless File Transmitter WFT-E7
Compatible Lenses	All EF lenses (excludes EF-S lenses), TS-E and MP-E lenses
Compatible Flash	Canon Speedlites (220EX, 270EX, 270EX II, 320EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT)
Battery Grip	BG-E11
Remote	Remote control with N3 type contact, Wireless Controller LC-5, Remote Controller RC-6
Other	Hand Strap E2, GP-E2